Research
My work combines craft and performance to design new digital media and forms of interaction.
The goal is to support human creativity. >>
Teaching
Courses I teach. >>
Bio
I work as Associate Professor in Digital Media at the Georgia Institute of Technology.>>
Publications
Writings about what I do. >>
Contact
Where to find me and speak to me. >>
research
My research combines craft and performance to look for novel interaction formats and to design new digital media. The approach combines theory and practice and very often mixes both. The goal is to support human creativity in situations where the digital and the material blend into each other. Most of this work happens in my group, the Digital World and Image Group. Our past and present projects are also listed there.
Together with my students we ran an of-and-off studio blog for past projects and explorations.
I have been collaborating with a variety of academic and commercial partners on different research projects: Turner Broadcasting, Google, Sony Computer Entertainment Europe in Cambridge, UK, the Centre for Applied Research in Educational Technologies (CARET) in Cambridge, Alcatel-Lucent, the Georgia Tech Broadband Institute,as well as game developers Funatics, and EA. Other work was or is supported by the National Science Foundation, the National Endowment for the Humanities, and various sources at Georgia Tech including GVU, IPaT, DILAC, and the Serve-Learn-Sustain program.
In the past, I used to run an irregular blog about machinima, Freepixel. It is largely for archival reasons still online.
Bio
I work as an Associate Professor at the School of Literature, Media, and Communication (LMC) at the Georgia Institute of Technology, where I teach courses mainly for the Digital Media Masters and PhDs, as well as for the Computational Media undergrad programs. I am founder and Director of the Digital World and Image Group (DWIG), which is the home for all my current projects.
I hold an MA in Drama and German language from the Freie Universitaet Berlin, a MPhil in Architecture and the Moving Image at the University of Cambridge and finished my PhD in 2004 also at the University of Cambridge (Darwin College).If not immersed in some digital adventure I am collecting screenplays. In a former lifetime, I gathered some experience in independent film production, scriptwriting, and even before that I worked as an Improv actor at the Fast Food Theater, Munich. More currently, I am fascinated by puppets and collaborations with the Center for Puppetry Arts.
Teaching
Fall 2018
LMC 6650 Project Studio
This course will experiment with creative tangible interaction in a field sometimes called “hybrid craft.” We will investigate materials, tools, practices, and context of different craft to ask: What can media and interaction design learn from craft practice? The course will combine making/ crafting, design and critique, and theory and analysis to allow students hands on as well as critical experimentation.LMC 3314 Technologies of Representation
What technologies and expressive features turn a thing into a media object and how can we explore these qualities further? Puppets are media objects that cross different traditions, ages, and practices. They have always been threshold objects that operated along a fine line between “alive” and “dead,” “object” and “subject.” We will investigate puppetry in theory and practice to address the course core questions.
Publications
An full list of journal and conference publications is here.
The Machinima Reader
Co-edited with Henry Lowood. The first academic book about the machinima phenomenon with essays from author such as Katie Salen, Lev Manovich, Jeffrey Bardzell and many more. Published by MIT Press 2011.
Video Game Spaces
A review on the design, mediation, and use of virtual spaces from the perspective of game levels and architecture. Published by MIT Press 2009.